Wtfcats.
23 July 2007
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23 July 2007
11 April 2007
I had tried, or I should say, I am still trying and writing and researching and conversing and attempting to construct a narrative that somehow casts the activities of my European vacations and the months between as myth and metaphor, a microcosm of the improvisational information architecture, anomalies of sociology, and decline of western civilization in the first decade of the 21st century. Given the pretentious mess that promises to be, this chapter of my pop-music autobiography may be the closest thing to a straight narrative of my week’s sojourn in Brussels and Paris, 11-19 November 2006, I might extract from that unwieldy text.
8 March 2007
9 February 2007
6 November 2006
I’ve been trying to quantify what it means to be older, to understand the process by which one adapts the tropes of the aged. I wonder if an elder conscience is one that no longer adjudicates between what is right and what is wrong but between what can be forgiven and what can not be forgiven, if wisdom is the knowledge of how much injustice one can inflict and withstand and experience the consequence of inflicting and withstanding injustice. It is a fact of our physiology that we become more attuned to bitterness and less attracted to sweetness as we age, but in what science is the bond forged between idealism (or wonderment or creativity or innocence) and saccharinity? Is cynicism the olive of attitude, that briny defense mechanism we only grow to appreciate once we can suck it out of the bottom of a cocktail glass emptied of gin?
6 May 2006
2008 December 25
Though I completed this chapter of my pop music autobiography in late September, a few weeks into my first semester at Georgetown, only now in the more apparent denouement of my existential crisis do I feel compelled to write its intentions, framed in the context of two gifts I received in November.
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