Studies

Incomplete thoughts and irreverent tales of art, cinema, design, food, love, media, millennials, music, nostalgia, objects, photos, politics, spaces, travel, and wit. You can also enjoy it as an XML/RSS feed.


Carbon copies.

Some people want to be dressed their best, laid in silk-lined boxes, covered in dirt, topped with stone. Some want to be frozen, preserved, to see a future that will reanimate the dead. Some want to be incinerated, returned to dust and inertness.

I think this is for me …

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Dead.

Philippe Starck’s retirement announcement via AFP, via Kottke from Die Zeit. It ends: Starck said the only objects that he still felt attached to were “a pillow perhaps and a good mattress.” But the thing one needs most, he added, was the “ability to love”.

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Bento box blues.

As the Broadway stagehand strike closed and I rushed the box office for a ticket to “Cyrano de Bergerac” last weekend (and will do the same for “Rock ‘n’ Roll” before too long), I was reminded—as I was more consistently my last weekend in California than even I have recently allowed my introspection to persist—the extent to which my life is a bento box.

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Searching for Sebald.

My project starts on page 242, and yes, I’m aware of the (at least one) typo in my contribution and the first thing I’ll do when I return home tonight is check the proofs and either drink in self-loathing or quiet celebration. Nevertheless, it’s a beautiful tome, 631 perfect-bound pages, and I’m honored to have contributed six of them.

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A short, blunt human pyramid.

If there is a climax to Manufactured Landscapes, it is the moment when Edward Burtynsky, the photographer and the ostensible subject of the documentary, explains (however weakly) his reasons for not politicizing his photography. Visual information, pure, noble, and free of bias—I felt the audience around me leap into a hushed rebuke.

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The straight left and the right hook.

Lessons learned from Morales-Pacquiao 2 and the Chip Kidd retrospective:

The unstoppable straight left is what launched me to this stage. Trust it.
Bludgeon with the left; develop the right hook for the knockout.
The gloves make a difference.
Don’t give the audience what they requested; give them what they need. They will be stunned.
Professionals don’t take it personally.
There […]

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Tag clouds.

In my line of work, it would behoove me to have a precise definition of what Web 2.0 is. It’s been suggested that it’s marketing departments jerking off to AJAX. I think it has more to do with tag clouds.
The evening past I ventured to the PostSecret exhibit in Georgetown and bemused myself with the […]

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A rose is a rose is a rose.

A single rose is a textbook romantic gift.
A photograph of a single rose is something nice for decorating the wall space above a water closet.
A drawing of a single rose in bloom, magnified roughly 800%, is a labor not for the impatient or weak of wrist; a rigorous full-brain exercise of constant graphite changes and […]

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I’d never shown it to you.

2008 December 25

Though I completed this chapter of my pop music autobiography in late September, a few weeks into my first semester at Georgetown, only now in the more apparent denouement of my existential crisis do I feel compelled to write its intentions, framed in the context of two gifts I received in November.



Echoes

  • Ben Folds feat. Regina Spektor - You Don't Know Me
  • 'Til Tuesday - Voices Carry
  • Jon Brion - Little Person
  • Nancy Wilson & Cannonball Adderley - Save Your Love For Me
  • The Perishers - Rock, Best Friends
  • The Libertines - Death on the Stairs
  • The Libertines - Music When the Lights Go Out
  • The Libertines - Never Never
  • The Five Stairsteps - Ooh Child
  • Katy Perry - Electric Feel (MGMT Cover)

Data compiled by Audioscrobbler.


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