My four-year hiatus from academia is over. Half of my first class at Georgetown was an introduction to WordPress, the same software in which this is being composed. I’m still optimistic.
Between Once and Man on Wire, there’s an undercurrent in my choice of cinema this past weekend of little things — pop songs and filament-tied-to-an-arrow — urged by good-humored gamines and can-do cads toward the seemingly impossible. I’m not in touch with most of my mentors from five or six years ago (and in some cases not on speaking terms), but I sense they’d smile knowingly at the return on their investments of encouragement and time (if not straight cash), the dividends paid to progeny. I didn’t know then clearly who I was or what was next, but their guidance in entrepreneurship, design practice, and, let’s face it, psychological warfare — and away from hourly retail in indistinct suburbs, indefinitely — capitalized the belief that I was meant to transcend the path my history implied, make great art, write a killer thesis, see the world. And lately, though it’s been a difficult belief to sustain, I’m here. The band’s in the studio; the cable’s between the towers.
It’s daybreak, and it’s time to dance.
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