Studies

Incomplete thoughts and irreverent tales of art, cinema, design, food, love, media, millennials, music, nostalgia, objects, photos, politics, spaces, travel, and wit. You can also enjoy it as an XML/RSS feed.


A short, blunt human pyramid.

If there is a climax to Manufactured Landscapes, it is the moment when Edward Burtynsky, the photographer and the ostensible subject of the documentary, explains (however weakly) his reasons for not politicizing his photography. Visual information, pure, noble, and free of bias—I felt the audience around me leap into a hushed rebuke.

Though I’ve never been the subject of a documentary, I’ve felt and have been subject to this disappointment. But I understand it better now, the production of information assemblies not in service of an agenda or argument but simply to provide reportage on the human condition.

Also, it’s worth seeing just for the TSM Smart Breaker sequence. Seriously.


I’d never shown it to you.

2008 December 25

Though I completed this chapter of my pop music autobiography in late September, a few weeks into my first semester at Georgetown, only now in the more apparent denouement of my existential crisis do I feel compelled to write its intentions, framed in the context of two gifts I received in November.



Echoes

  • Ben Folds feat. Regina Spektor - You Don't Know Me
  • 'Til Tuesday - Voices Carry
  • Jon Brion - Little Person
  • Nancy Wilson & Cannonball Adderley - Save Your Love For Me
  • The Perishers - Rock, Best Friends
  • The Libertines - Death on the Stairs
  • The Libertines - Music When the Lights Go Out
  • The Libertines - Never Never
  • The Five Stairsteps - Ooh Child
  • Katy Perry - Electric Feel (MGMT Cover)

Data compiled by Audioscrobbler.


+1 562 714 1482
Post Office Box 1333
Downey, California 90240-0333
United States